Looking through the archives again…..another fence in the dunes.

Fence in the Dunes

In my last post I went back in time to 2012 when I enjoyed a very pleasant afternoon taking some photographs at East Head in West Wittering along the Sussex Coast. At that particular time I was still using my Nikon D90, which I guess was my first serious or shall we say semi serious camera. A very capable DSLR with a cropped APS-C sensor. It has now been sold in favour of my Olympus micro four thirds system. Which in itself is still only an enthusiasts camera, although there are now a number of professionals who are happily using the Olympus EM1 and some of the best lenses available for this format. I am lucky enough to be using the EM1 and have done so since the early part of the year and although I really don't feel I put it to the test I have been delighted with the results so far.

Anyway back to the reason for this entry and another image taken at East Head. I had previously dismissed this image, but two years down the road I like to think my processing skills have improved and the result is displayed at the start of the entry. Like so many of my images this was processed in Lightroom 5 and Silver Efex Pro. As opposed to a straight black and white conversion this photo has a 'coffee tone' added in Silver Efex, which gives a warmer feel I think it works on this occasion.  I hope you like it.

'To flip or not to flip?' that is the question

In the past couple of weeks it has been suggested by two individuals on two separate occasions that I should consider 'flipping' one of my images. Their comments applied to two different photographs so it set me thinking whether or not I should apply this post production technique, as it's not something I had ever considered doing before.

Obviously this technique could not be applied to an image with any writing or symbols, which when reversed, would no longer be legible and it would be clear to the viewer that they were in fact looking at the original image in a 'mirror'. Neither could it apply to a recognisable landmark as it would no longer be a true representation of what the viewer expected to see. However if the image did not fall into either of these categories then what would be wrong with flipping? If the result is more pleasing to the eye, even though it no longer represents reality, then what's the issue? After all the vast majority of my images are converted to monochrome because thats how I want my images to look. No one 'sees' in black and white so this change is applied for visual imapct. If I wanted my photographs to represent what people would actually see with their own eyes then frankly nearly all post production work would be a 'no go' area and even the choice of lens can distort what the eye actually sees, but thats a topic for another day.

Well, the only way to find out would be to try 'flipping' and to then compare and analyse the results.

The example I have chosen for this exercise is a shot taken at East Head in Wittering of wind swept sand dunes. The first image is the original photo followed by the flipped version. No other changes have been made.

.....and now the flipped version.

So which one works best? Well in my view the flipped version is the better photograph, it's more visually pleasing. So why should this be?

In my opinion its down to two main factors. Firstly when we look at an image our first inclination is to start from the left hand side and our eyes then move to the right hand side. Our eyes naturally follow this path as we read from left to right......it therefore feels comfortable to look at an image in this way. Our eyes are also drawn to the brightest areas of an image; in this case the sand in the lower half of the picture. So when the image is flipped, the bright area is now on the left and not on the right. The lead in lines of the sand, take our eyes to the right, the grasses are also being 'blown' from the left, and our eyes find it much easier to move around the image. In the original shot this does not happen and our eyes find it difficult to settle, with the result that we see a 'busy' image and one that really doesn't work that well, or not as well as it could when flipped. As there is nothing else in the image which would give the 'flipping' game away, the final result is in my opinion perfectly satisfactory and an acceptable form of post manipulation.


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Gathering storm at East Head

Last Friday was the second time I didn't need to go into the office. It's still a strange feeling working a four day week, but a very pleasant one all the same!  Having decided that I would try and devote some of my time every Friday to my photography, I thought that I should rekindle the Nikon D90 DSLR and perhaps visit the coast - attach a wide angle lens and see what I can produce.

Breakfast over, I packed everything I thought I might need in my camera bag and headed down to West Wittering, with the specific intention of exploring East Head. The sky was blue and completely void of clouds. A beautiful morning but as I drove to my destination I thought the weather was just too fine for the type of images I had envisaged taking. The weather forecast had indicated that by lunchtime clouds and maybe the odd the shower, would arrive from the west. I thought better of a morning shoot, turned the car round and headed home to do some gardening!

By lunchtime the weather forecast proved to be accurate; so back in the car and I headed south. As I parked up, the cloud formations were taking shape and I knew the decision I had made earlier to postpone my 'shutter therapy' (a phrase coined by Robin Wong - read his blog here) had been the right one.

By late afternoon the rain clouds appeared to the north and the wind moved them swiftly across the South Downs from west to east. In the meantime East Head itself was still bathed in glorious autumnal sun, which resulted in the three images below.

I returned home, downloaded the images using Lightroom and converted to monochrome in Silver Efex Pro 2.

Storm approaching.
Nikon D90 with 16-85mm @ 19mm f18 1/80 ISO200 hand held

Goodwood Revival Meeting - the last entry

Its a month since I enjoyed a wonderful weekend at the Goodwood Revival Meeting in September. This is the last entry following on from 'The Silver Arrows' and 'The Characters' and is a final selection of images. It features the motor cars themselves, the shops, some more characters and the aircraft which was on dsiplay. Its an eclectic mix, but all in black and white and hopefully they capture something of the atmosphere of the great event which never fails to impress through its marvellous attention to detail. Provisional dates for 2013 have recently been announced - 13th to 15th September. For more information visit the Goodwood website.

With the exception of the first image which was taken with a Nikon D90, all the other photographs were taken using the Olympus OMD  - EM5.

The Race Starts
Nikon D90 - 70-300mm @122mm f8 1/100 ISO800

Festival of Speed 2012 - The Last Post

This is the third and last entry about the Goodwood Festival of Speed which took place at the end of July this year. The two earlier entries were about the Art of Design and The People respectively. This entry completes the series and is simply intended to show an overall picture of the event. There is no particular theme other than trying to capture the true essence of this remarkable event which draws thousands of spectators every year.

None of these images would win a photographic competition, but they were not taken for that reason. They are a record of the event itself which I enjoy visiting as often as can. It allows me to combine my interest in photography with my love of motor cars.

In a couple of weeks time I will be at the Goodwood Revival Meeting so expect some more images from that event but in the meantime here is my final selection of shots from the Festival of Speed.

Above each image I have added a short description and my customary Exif data. All the shots were taken with either a Nikon D90 or Olympus E -PL3.

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The custom built display which is constructed on the front lawn of Goodwood House every year is always something special and can often be seen from miles around. This year the theme of the display celebrated Lotus racing cars through the years.
Nikon D90 35mm f6.3 1/1250 ISO200

Festival of Speed - The People

This is the second post relating to the Goodwood Festival of Speed. It's been a busy summer so it has taken me a while to complete this entry and there may still be one more to come!

This event is wonderful for its cars but also for the people who drive them or indeed simply spectate. Hopefully these images give a flavour of 'the people' at Goodwood.

Its twenty years since the Festival of Speed came to Goodwood, courtesy of the Earl of March. It's grown and grown, year on year, but one person who has regularly been invited but never come, made his debut appearance on this occasion - Alain Prost or 'The 'Professor', the great Formula One champion of days gone by.

Alain Prost and the Earl of March
Olympus E PL3 45mm f2.5 1/400 ISO 200

Festival of Speed 2012 - Art of Design

In an earlier post I referred to this annual event which I attended on two of the four days. The weather on the Friday was mixed with rain showers in the morning but Saturday was much better with blue skies and warm sunshine. Something of a rarity this summer even though it did not help my hayfever.

On the first of my two days I used the Olympus E PL3 as I thought this camera combined with the three fast prime lenses would encourage a more artistic approach, experimenting with depth of field etc. On the Saturday I reverted to the DSLR a Nikon D90.

I have been to this event on a number of occasions and its all too easy to take photographs of 'whole' cars followed by more of the same, either moving or still. So this year I tried to concentrate on taking some other images which would still say 'Festival of Speed' to the viewer but had a more specific theme. This is likely to be the first post of a short series on the Festival of Speed. This one reflects on the 'Art of Design'. Yes, images of cars but perhaps simplified in composition and rarely showing the car in its entirety, although the first of these images breaks this rule straight away! It's the JPS Lotus 72 which graced the huge sculpture which stood at the front of Goodwood House. After a morning rain shower the sun broke through the clouds momentarily and lit up the sculpture and beautiful lines of this famous Formula One car of the 1970's.

John Player Special Lotus 72

Olympus E PL3 Panasonic 20mm f1.7 at f7.1 1/1600 ISO200