A swift look at Cambridge

Old Street Cambridge

There are two widely known University towns in England, one being Oxford, the other Cambridge. Although I have visited Oxford on a number of occasions, I can only recall having been to Cambridge once before, and this was many, many years ago for reasons I can no longer remember. It certainly wasn't to further my academic education! So when my wife and I were invited to visit some distant relatives for lunch, it gave us the opportunity to look around the town for an hour or two before returning home. It was a Saturday afternoon so the lovely streets, lined by some beautiful college buildings were packed with students, shoppers and visitors, who were all enjoying the early summer sunshine.

Corpus Christi College

There was so much to see and we only scratched the surface, conscious of the fact that a three hour drive lay ahead of us and it had already been quite a long day.

Without question it's another town to add to the ever-growing list of places to revisit, explore and photograph, but for now here are small selection of images which say something about this rather special University town.

All the images were taken with the Olympus OMD EM1 and Panasonic 12 - 35mm f2.8 zoom lens. A great combination when you want to 'travel light' and have a versatile set up ready for most photographic opportunities without compromising on quality.

Reflections of University Life

Punting along The River Cam

Cambridge Canoe

Kings College

Rubbish busker

Playing with the light at Playa Blanca

Back in November we visited Playa Blanca in Lanzarote, one of The Canary Islands for some winter sun and warmer temperatures. We only had one day of rain, the rest of the time we relaxed under clear blue skies and temperatures in the mid to high twenties.

The light was very special particularly at the beginning and end of each day, and having never visited this part of the world before, it was an opportunity for me to try an alternative approach to my photography. Still working in black and white I looked for details in the buildings around where we were staying. Observing the way the light fell on the textured wall surfaces and the shadows that were cast. Simplifying the image through abstraction and including some geometric shapes to enhance the composition. The white walls often worked as giant reflectors projecting light in areas where you would least expect it to be.

Here are a selection of images all of which were taken within a five minute walk of the villa we had rented for the week.

For me these images capture the feel and essence of the resort, the wonderful light as it played on the textured and buildings, but more importantly it was a lesson in observation and I greatly enjoyed the experience.

London cityscapes

Since November of last year the National Maritime Museum in Greenwich, London has been staging a retrospective exhibition of work by Ansel Adams called 'From the Mountains to the Sea'. As it was due to finish this month I did not want to miss the opportunity to see original photographs by this inspirational artist. So a day trip to the Capital was planned which also gave me the chance to take in some of the sights of London and of course take a few photographs.

Before heading off to Greenwich I also visited another photographic exhibition at Somerset House called ' Landmark - The Fields of Photography'. From there I walked eastwards along The Embankment towards St Paul's Cathedral, The City of London and the Financial Sector. At Tower Bridge I used the Docklands Light Railway to Cutty Sark, the nearest station for The Maritime Museum. I very much enjoyed seeing areas of London which I had not visited before and here are a slection of images I took that day.

A view of The Shard from The Millenium Bridge

A mix of 'old and new' - St Pauls Cathedral and its reflection in the
contemporary buildings of One Change

The Lloyds Building - home of the Insurance Company LLoyds of London

The Lloyds Building frames another more recent icon in the City -
The Gherkin

The Gherkin or as it is formally known as 30 St Mary Axe

I also wanted to try my hand at some abstract geometric compositions of the the modern office blocks which are now starting to dominate the London skyline.

........and finally an older couple walked hand in hand up the ramp leading to the Millennium Bridge. I assume they too were enjoying the sights and sounds of this remarkable city.

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Lake District 121 with Paul Gallagher

I realise it's been a few weeks since I posted an entry on this blog. The reason is quite simple. A couple of weeks ago I visited the Lake District for a few days in the company of Paul Gallagher, a renowned UK based landscape photographer who just loves black and white. He is also a Master Printer for Epson; so what he doesn't know about printing just isn't worth knowing! It's also been a very busy time for me personally and I wanted to reflect on what I had learnt before posting my thoughts and any of the images.

The photograph below was taken on the day I arrived in The Lake District before I met up with Paul the next morning. It was late in the afternoon so I had a limited amount of daylight left to take any shots. Blea Tarn was frozen over and I processed the image using a combination of Lightroom and Silver Efex Pro2. As it happens I would not using this plug-in again for post processing.....Paul was about to demonstrate to me the power of Photoshop......so more about this in a future post!

Blea Tarn with the Langdale Pikes in the background

The setup for the 121 or personal workshop was to spend two days out and about taking images, learning about camera technique, camera settings, composition, histogram and the use of filters etc. The third day would be spent back at his studio processing the images and producing large A3+ size prints. In essence I was keen to bridge the gaps between camera work in the field, processing and printing. In other words to develop a work flow whereby my photographic thinking or pre-visualisation at the time of taking the shot would be influenced by how I wanted the final image to look once processed and printed back in the 'digital' darkroom. The aim would be to combine the three elements into one, as opposed to treating them as distinctly separate processes where coherent thinking doesn't overlap.

This will therefore be the first of a series of probably quite short posts about the various topics which we covered over the three days, including of course, some of the images taken. I should add that I had an extra day free in the middle of the 121, which gave me time to put into practice some of the techniques and ideas we had talked about in the first two days. In my opinion this was invaluable, as I could take some shots unsupervised by Paul before returning to his studio. He also set me a few challenges.....would I succeed or would I fail?



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Idsworth Church - the return visit

A little while ago I decided to take a detour through the back roads of the West Sussex/Hampshire border. As I drove northwards from the village of Finchdean towards Petersfield, I spotted a church and a rather pleasing line of trees on the brow of a hill. I couldn't stop on this occasion as I had passengers with me, but I vowed to return as I saw the potential for a photograph.

At the beginning of December I once again found myself in the same area and although it was quite late in the afternoon, I thought it might just be worth revisiting the location.....after all the light might just be right. To be honest I thought I had left it too late and although I took a few shots the sun was very low in the sky, hidden behind cloud, even though the clouds behind the church were broken. I waited a few minutes more before continuing on my journey home and it's just as well I did. The sun fleetingly broke through, cast a shadow on the field in the foreground and lit up the church for one last time that day.  I did not use an ND grad which would have helped balance the exposure between the sky and what was now a dark foreground. Fortunately there was enough information in the RAW file to recover some detail in the shadows. The result is shown below.



Evening light on Idsworth Church


I am still of the opinion that there are more opportunities to be had from this location, so I shall be returning once more to Idsworth, but when I do, I shall make sure I allow a little more time. One - to take advantage of the best light; two - to find the most favourable viewpoint and three - to have ND grads etc to hand should I need them.

It has also made me wonder whether or not 'churches in the landscape' might be an appropriate subject for my 'ARPS' panel, which I would like to work towards during the course of this year. I think I need to do some more exploring first, visiting possible locations and seeing whether or not there is sufficient material locally. If not, I will need to travel further afield but this would make the task a little more challenging!

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Eigg revisted

In September 2011 I went on my first photographic workshop with Bruce Percy to the Isle of Eigg which is just off the West Coast of Scotland. Ever since I first visited this beautiful part of the world some thirty years ago, its always been a place I have wanted to return to, and to this very day, still do. So the opportunity some fifteen months ago to combine my relatively new interest in photography with a trip to the Isle of Eigg was greatly anticipated. It was a wonderful few days despite the fact that it was cut short by one day, because the weather closed in and the group feared that the Cal Mac ferry back to the mainland might not sail when scheduled. Despite this I still came home with several memory cards full of images.

Bruce was a great tutor and fun to be with. I love his work, which has now been published in two books - 'The Art of Adventure' and 'Iceland - A Journal of Nocturnes'. But for his teaching and his inspiration I am not sure my photography would be where it is today. Thanks Bruce!

Although the title of this post might suggest that I have been back to Eigg, sadly this is not the case. One day I would love to return but for the moment I thought I would look back on some of the images I took whilst on the island and reprocess a few of them. I would like to think that my photography has come a long way since the workshop. At the time of my visit, I was almost exclusively taking colour images and not converting them to black and white. My knowledge of post processing in Lightroom and Photoshop was also quite basic and I had never heard of Silver Efex Pro which I now use all the time.

The fact that I am now looking at the world in monochrome is perhaps down to a black and white conversion of one of the photographs I took on the workshop. This image is 'Sand Waves' and can be seen by clicking on the link. I shall not feature it here because its already appeared in a  number of earlier posts. Looking back I guess the way I chose to process this photo was really the start of my love affair with black and white, and this has grown and grown in the intervening period.

So here are a few of the photographs I took on Eigg. They have all been processed in the past few days from the original RAW file. Its very interesting for me to compare these results with how I tackled the question of post processing over a year ago. I was pleased with the results then but in my view the latest set of images help me to understand the direction in which my photography is taking me. It's exciting to learn and develop new skills which I hope and intend to build upon in the  year ahead.

Reflections in the Sand

Fading light over Rum

Solitary Shell - looking towards Rum

Clouds over Rum

In total I took over 600 images when I was on the Isle of Eigg. From this number the four photos above and two others, namely 'Sand Waves' and 'Sea Swirl' are the six shots I am most pleased with. A return of 1 in 100 shutter releases. What this has taught me  is that I need to try and pre-visualise the shot I am taking before releasing the shutter. Asking myself how it is composed, how do I deal with the exposure, do I need to use filters and lastly how will I post process the image? I therefore need to take more time before taking a shot. I would have to adopt this approach if using a film camera - in many ways the digital age has made us lazy.......we can click and click and click to our hearts content but that won't necessarily produce a good image.

It reminds me of the saying and I quote -

'Life is not measured by the number of breaths we take,

but by the moments that take our breath away' 

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Reflections on Salisbury

At the end of last week the preview evening for the annual Southern Photographic Federation Exhibition took place in the Wiltshire county town of Salisbury and I thought it woud be a good idea to attend. It's about 60 miles from home so it made sense to me to go there for the day and take a look at the City and its Cathedral. Although I had passed through Salisbury, I had never actually stopped, so I can't say I knew the place at all.

The River Avon passes through the centre of Salisbury and the Cathedral which dates back to 1220, has water meadows to the south and west. In 2012 the UK experienced its second highest rainfall total and it was particularly bad towards the end of the year. As a consequence the river was badly swollen and parts of the water meadows which are normally dry, were flooded. The photo below was taken from, believe it or not, playing fields which adjoin the meadows. You can just about make out three benches in the middle distance which were inaccessible but for a pair of wellington boots or waders.

'Reflection of a Spire'

Swanage Pier - a photo opportunity

Swanage is a small seaside town on the Purbeck coastline of Dorset. Although I had been to the town before I had not seen the pier, so a quick detour to our journey seemed like a good idea, despite the fact that we would arrive mid afternoon and the light would be fading fast. There wouldn't be a great deal of time for photography but in many ways the short stop was to see whether or not another visit would be worthwhile when I had more time. As we parked the car I noticed a 'Trompe L'oiel' on a derelict building opposite the pier. In the bottom right hand corner was this inscription. An omen perhaps?

All the photos were taken using the Olympus OMD EM5 and Olympus 45mm f1.8 prime lens.

There are in fact two piers at Swanage. The remains of the original pier which was built in 1859 and the 'new' pier, which was built in 1895, the latter having undergone considerable restoration in recent years.

The original pier

As I walked along the pier I noticed that the vast majority of the wooden planks included a small brass plate with an inscription. In one or two cases a floral tribute had been left, probably on Christmas Day which only adds to the poignancy of the next two images.

Another floral tribute

There are many benches along the promenade looking out to the sea. On this particular bench was a pair of shoes and a single sock. I only hope the owner returned from his paddle, together with the missing sock, on what was a particularly cold day.

The magnificent trompe l'oiel I referred to at the beginning of this entry. The 'photo opportunity' inscription can be seen in the bottom right hand corner.

Another trompe l'oiel which has been painted on a shutter board in a window

As the light faded the full moon joined the sea gulls in the sky

Swanage Pier is definitely a 'photo opportunity' and one I hope to return to in the not too distant future.

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The Cathedral City of Chichester

I am very fortunate to be able to call the ancient city of Chichester my home. Whilst our house is not in centre of the city, its not far from where I live, so its a place my family and I frequently visit. From a photographic point of view it has so much to offer but because it's on my doorstep its all too easy to take for granted the splendour of it's buildings, the Cathedral in particular.

I had a couple of hours spare about a week ago, and as it was reasonably dry and bright, I decided to walk around and take a few photographs. I concentrated my time on the Cathedral and in Priory Park which is still within the Roman City Walls but over to the North East corner. As well as taking some well known 'tourist views' I also took one or two more close up shots which also say something about the place.

When I came to post processing, I converted the images in Silver Efex Pro2 but thought it would be appropriate on this occasion to apply a slight sepia tone, which to me introduced a little warmth and softened the picture. All the shots were taken with Olympus OMD EM5.

As mentioned before Chichester has a wealth of buildings and subjects to photograph. Add in seasonal variations and I am all too aware that I have only scratched the surface, so I am sure there will more entries on Chichester in the future. In the meantime here is a selection of the images I took that day.

Chichester Cathedral from Canon Lane.

Chichester Cathedral spire taken from Bishops Palace Garden which is to the west of the Cathedral

Bishops Palace Garden - a fine place to relax and do The Times crossword perhaps?

The imposing statue of St Richard which greets everyone as they walk up the shallow set of steps from West Street on their way to main west entrance of St Richard's Cathedral

The beautiful arches of The Cloisters

A bust of Queen Elizabeth II at the West Entrance to the Cathedral

A bust of the Duke of Edinburgh also at the West Entrance

Just one of the many attractive rows of houses in a side street near Priory Park

Priory Park and The Guildhall

A statue in Priory Park. Some think it is Moses, others Neptune, whilst it is also thought it could b a druid.

One final image of Chichester Cathedral

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